When DK Pattammal was just 7 yrs old,her father,Krishnasamy Dikshitar,a very ardent devotee of Mahaperiyava,took her to sing infront of Kanchi Mahan.After hearing her voice,Mahaperiyava blessed her saying:”Saraswathi Kadaksham is with you in abundance.None can stop you from becoming a very famous singer Oneday!”
When Pattammal wanted to sing in Kanchipuram Katcheris as a teenage girl,her 8 auntis(father’s sisters)vehemently opposed this move saying..”No way..You won’t get a proper alliance once you go on stage singing..”A quiet Dikshitar vetoed all his sisters saying:”Mahaperiyava has said she will become a Great Singer One day..I don’t want that saying to be disproved..!”Thats how DKP and all her families continued their total Devotion to Mahaperiyava,as she started getting huge support from the audience especially after her famous songs in Papanasam Sivan’s movies.
When India got Independence,it was DKP’s “aaduvome Pallipaduvome”broadcast all over South India by the All India Radio..and if we listen to that song,I don’t know whom to be admired in this scene… the Genius of Kumari Kamala or AVM or the sweet voice of DKP..or the Lyrics of Bharathi!A Masterpiece I wd love to listen everydday of my Life!
Many Volumes have been written about DKP by many, but I recall here her absolute humility in an incident when I was present.It was 89 or 90 when TTVasu was celeberating his Shashtiabtha poorthi in TTK premises at TTKs,Cathedral Road.He having married a Swede,his brother Narasimhan,Padma Narasimhan and all others had arranged for a real Indian style Marriage celeberations..DKP was also present and she sincerely sang all the Kalyana Songs to the delight of all..I was sitting next to her..cannot find a more humble Genius!
My mother used to often say..MS,MLV,DKP all three are Genius..No doubt..But I love DKP more because we can take a pencil and write down the lyrics when DKP sings..so much Spashtam!
God bless this Great Heritage!
Ranjani gayatri kutcheri
Saigiridar /Chandrasekhar Sharma
@Bharat Sangeeth Utsav @Coimbatore
Ranjani n Gayatri
A full house at Kikani School awaited the ever ebullient Ranjani and Gayatri who gave a brisk DEVAMANOHARI – YANAI MUKATHONE by DDDESIKAR start.
Followed by Gauthamalar – sarasamukhi
and a kalyana vasantham – nadaloludai -made every one ‘Attain Supreme Bliss in Nadam’ as professed by Thiagaraja! Next was a Chala Nattai of a great Vaggyakara from my place, Kotiswara Aiyer’ஏதையா கதி ‘ brought memories of MLV.
The main raga in kalyani with Mohanam Sruthibedham reminded me of GNB openly questioning the Sruthibedham, as an excuse of a great Vidwan accidentally transgressing! Not sure whether it is True but Dikshitar’s Bhajare re chitha balambikam
Baktha kalpa lathikam was a master piece indeed!
பாடி ஆடி நின்றிறுந்து -in Todi and bahudari – raga malika virutham ended with a question இனிஎன்ன செய்வேன் in Karnataka Devakanthari and as expected by me she admired Sudhanandha Barathi’s ‘ எப்படி பாடினரோ’ in a style none can equal!
An Abhang to finish was an amazing concert that I sincerely prayed for their continuing success, as their father Balu is my close friend from Matunga Bachelor days, a man with immense Carnatic music knowledge & responsible for dragging us all to Shanmukananda Hall!
I attended their inaugural violin concert years back in Hamsadwani, Adyar Chennai when he introduced me his daughters in a small crowd of hardly 25! When they became so famous, I met him again in Mylapore Fine Arts when he was holding his grand kid, he said ‘They have worked very hard under the tutelage of PS Narayanasamy to reach such heights! “
God bless them!
About Koteeswara Aiyer :
Koteeswara Aiyer-A Graduate in those days!
Koteeswara Iyer (1869 – 1938), was a grandson of Kavi Kunjara Bharati(1810–1896) born in Nandhanur to Nagarathinam iyer who was a Sivagangai Samasthana Sangeetha Vidwan Kotiswara Aiyer has the Mudra ‘Kunjara Dasa’ as a tribute to his Guru & Grandfather. He spent most of his life under the patronage of the Sethupathis of Ramnad. He was also learning under Poochi Srinivasa Iyengar, Asthana Vidwan of Sethupathis in Ramnad. Music is the life-line of the family. He has composed in all the 72 Mela kartha Ragas He has sung in praise of Sri Tyagaraja also in his ‘Ininamakkoru kavalaiyumillai’ – meaning henceforth we have no need for any worry . Popular singer, K. Veeramani is a grandson of Kotiswara Aiyer!
Swami Sadatmananda of Arsha Vidya Gurukulam
Sanjay Subramanian is always a rare treat for his sincerity and hard work. His inaugural concert at Bharat Sangeeth Utsav @Coimbatore was as usual unique! When generally Bharathiar Songs are sung as Thukkadas, his ‘சந்திரன் ஒளியில் அவளைக்கண்டேன்’ as the 3rd song was innovative and sung in Malayamarutham brought the beauty of Bharathi’s Lyrical genius and Devotion for Bharathi’s Ishta Deivam!
After a Saveri Varnam, a Jaya Manohari – Sri ramyachithalangara, Bharathi’s சந்திரன் ஒளியில் அவளைக்கண்டேன் was followed by Dikshitar’s Masterpiece on Guruvayurappan in Djavanthi – Setha Sri Balakrishnam baje- took a house full audience to a different world!
Sanjay Subramanian @Coimbatore
A Bilahari tribute to Chamundeswari by Mysore Vasudevachariar – Sri Chamundeswari Palayamam and a
kapi narayani for a thirsty audience – தில்லை சிதம்பரமே was brought before them by the Sangita Kalanidhi!
A Varali RTP – அம்பிகை ஜகதம்பிகை வராளிதோ- with Sahana and nalina kanthi was indeed superb with S. Varadarajan and Neyveli Venkatesh, Chandrasekhara Sharma excelling in every aspect. Earlier Swami Sadatmananda of Arsha Vidya Gurukulam inaugurated officially the yearly Bharat Sangeeth Utsav @Coimbatore, ably organized by Sashi Kiran of Carnatica Bros. Please listen to the beautiful lyrics of சந்திரன் ஒளியில் அவளைக்கண்டேன் by Barathi as sung by Singers from Isha Yoga :
SCINTILLATING BHAJANS BY Surya Gayatri
A 10 year old Suryagayatri from Vadakkara, Kerala is already quite famous thro her Mudakaratha Mothaham and Hanuman Chalisa in the You Tube! Thanks to Sashi Kiran, Carnatica presented her Bhajans as a prelude to this year’s Carnatic Music Festival at COIMBATORE.
She enthralled the overflowing audience with some divine bhajans, from Ganesha Pancharatnam to Laxmi baramma, demonetising the ever memorable MS’ in every aspect, at such an young age of 10.
She was accompanied by her father Anilkumar on Mridangam, her uncle on Violin. Her father takes her 4 days in a week to Kozhikode, nearly 200km from her house for Music Training.
God bless this young Talent!
Andavan Pichai Tableau @Kaliikambal Temple, George Town
Her (Suryagayatri’s) உள்ளம் உருகுதையா made famous by TMS brought me memories of a great devotee of Mahaperiyava, Maragathambal who wrote many poems and உள்ளம் உருகுதையா being one of the most famous. She was an Ambal Upasaki.
Maragathambal was blessed by Mahaperiyava, giving her a new name Andavan Pichai,due to her Lyrical Talent.
She used to sing in Kalikambal temple, George Town where she sang this famous உள்ளம் உருகுதையா once in 52. When TMS went to Palani for Darshan, he saw a beggar murmuring this song and he copied it and made it a super hit!
You can see Andavan Pichai plaque with the Lyrics of உள்ளம் உருகுதையாeven today in Kalikambal Temple.(see the picture above)
Proud of our Culture
I call Sadhgun Aithal, a 13 yr old, a Mandolin Magician, because :
1.He doesn’t even look at the Mandolin even once during the concert. The finger does the Magic!
2.He enjoys Singing almost for all Songs! Rarely you can come across artists Singing, especially at this speed, playing the instrument, that too such a tiny tool , simultaneously!
Sadhgun n Nikshit
God Bless this talented youngster, Sadhgun, from Mangalore, who entertained the Elders of SHENBHAGAM Senior Citizens Estate, for the second Day of Navarathri Festival!
After a Viruboni Varnam by Panchiriyam Adiyappa-Sadgun enjoyed a rare Sri Vigna rajam Bhaje in Gambira Nattai by Oothukadu!
Sadhgun adorns all his concerts with rare ragas like a rathnangi-similar to ganamurthe” Kalasavardhijam ” of Thyagaraja Swamigal as his next piece!
Thanjavur Sankara Iyer’s Ranjani mala-in ranjani- Sri Ranjani, megaranjani-jana Ranjani was beautiful for a Navarathri evening!
His favourite, Nasika bhushani – mara vairi Ramani of Thiagaraja was followed by
a quick fire Thelisirama in poorna chandrika!
The main Raga Charukesi cdn’t have been rendered better than Sadhgun on Mandolin, I felt, with an innovative raga maliga on Adamodi-like jog – varuna priya – Sarasangi, elevated Sadhgun to Srinivas Level! NIKSHIT PUTTUR On Mridangam is the main Inspiration for this Magician. Nikshit constantly advises through his eyes a Dynamic Sadhgun!
A Thirupukazh and his favourite kurai onrumillai, followed by a Brindavana saranga bhajan, Thillana of Lalgudi in revathi, made the elderly audience of Shenbagam to give a Standing Ovation!
Sadhgun Being Honoured
Vishwanath Honouring Sadhgun
Vishwanath showing the Mahaperiyava Shawl
Mr. Vishwanath a RESIDENT Honoured Sadhgun with a nice Shawl with Mahaperiyava Picture and His Blessings will take this Gifted lad of 13 to much Greater Heights, I am sure!
SV/Neyveli Venkatesh/Thirupanithura RADHAKRISHNAN
Sanjay @Rajalakshmi Fine Arts Sept 16
Sanjay’s Kamboji varnam of Thyagaraja(சல) gave a great opening like a first ball Four!
Sanjay’s concert never fails because of (1)His hard work (2)Meticulous preparation. When he took us back to 16th century (சிவசிதம்பரமே தரிசிக்க) in Bahudari of Muthu thandavar, the entire atmosphere was suddenly sublime! Many don’t sing this rarity from Muthu Thandavar (1525 – 1600 CE) a great composer of Carnatic music and an early architect of the present day Carnatic kriti(song) format, which consists of the pallavi(refrain), anupallavi and charanam. He lived in the town of Sirkazhi in Tamil Nadu. His contributions to Carnatic music have been largely forgotten and not many of his kritis are in vogue today. Muthu Thandavar, along withArunachala Kavi (1712–1779) andMarimutthu Pillai (1717–1787) are known as the Tamil Trinity of Carnatic music.
Next, ‘Kanugonu sowkyamu-Thiagaraja-in Nayaki followed by
‘Nandagopalan of Dikshitar’s in Yaman Kalyani brought out the Sangeetha Kalanidhi in him!
The main Raga – Thodi alapana reminded me of the great Madurai Somu and Sanjay disappointed me for going for another Thiagaraja (Unnooravana vibhishana sri Ramachandra) instead of a ‘Karthikeya or Sarvanabava’ !
Chenchu Kamboji – (vara raga laya GNB’s favourite) was chiselled to perfection!
Papanasam Sivan’s Abheri – kandA vandaruL tharalAhAdA gadhivEREdu -to some extent satisfied my disappointment in Todi!
RTP is Sanjay’s trumpcard! Sriranjani (பெண்மயே சக்தியடா அதைவணங்கும் பெருமையே புத்தியடா-
நரமனிதா-) with ragas-
Amir kalyani -kannada-hamsanandi-ananda Bhairavi – hindolam – (ragavardini) – darbari kaanada-took us to a different world! Again in Darbari Kanada he reminded us of ‘மதுரைமலை மாமனியே முருகையா by Madurai Somu – amazing to end a Day of Musical Magnificence!
(We senior citizens come from Madampatti go back by 8:45 due to distance and cdn’t stay for the thukkadas!)